Wednesday, 24 June 2015

Beer: Carlow Brewing - An Ace up Their Sleeve


I have to admit that my palate is not fine tuned enough to pick out most hop varieties when I taste a beer but one exception to that is Sorachi Ace. I can remember drinking Thornbridge Raven in The Salthouse in Galway a couple of years back and picking it out of that beer, to the amazement of myself and my drinking buddy. It's a pretty unique hop and I would guess that it's one you either love or hate on its own - a bit like Marmite.

I've come across it a few times now. My first taste was when it was part of the Brew Dog IPA is Dead series a few years back - I remember reading the notes on it that mentioned bubblegum and thinking how accurate a description it was, but tropical fruit flavour gum mind you. My next taste was of Mikkeller's single hop version and my own notes read 'Excellent. Butter and grapefruit, smooth. 'WOW' beer time!' Next came Brooklyn's, 'Creamy tropical fruit flavour. Sweet-sourish and easy to drink.' I came across it again in Copenhagen brewed by Raasted/Beer Here under a name I can't print here, as I don't want to be picked up by the wrong search engines! My notes for that read, 'Creamy lychee juice. Barley sugar too. Beautiful Beer.' (As you can see, brevity is my friend when taking beer notes although I have improved - slightly.)


So with all this background research done, when I heard that my local brewery O'Hara's (Carlow Brewing)  had done an IPA with Sorachi Ace as part of a Hop Adventure series I was dying to try it. An opportunity came pretty quickly as Tully's Bar in my adopted town of Carlow had organised a beer festival as part of the local arts festival, and O'Hara's was to feature prominently, along with White Gypsy and 12 Acres - 2 more of my favourite brewers - who regularly feature in the Tully's line up.

As fortune, fate or persistent Twitter pestering would have it the Sorachi Ace was on tap, along with their stout, dunkleweizen, saison, cider and pale ale. I worked my way up to it via the Dunkleweizen - almost stout-like with a hint of clove-  and the Saison - sour, bitter and cleansing.


When I finally got to the Sorachi Ace IPA, I sat back, took my time and studied it. It was very creamy looking and certainly appealing. I took a taste and looked through my notes from my previous Sorachi escapades. Even though not all of them were IPAs the flavour profile still made sense. I got the creaminess. I got the tropical bubblegum. I got the lychees. I got a bare hint of barley sugar. Most of all I got the wow!

OK, perhaps my palate was being guided by my previous encounters but either way this was a lovely beer - my kind of beer. O'Hara's have a great talent for making extremely drinkable beers. Not extreme beers, not crazy beers, not dump-the-whole-bag-of-hops-in beers. But solid, well made, balanced beers and, most importantly, saleable beers.

You might think I'm biased as I live in Carlow but I'm a Laois man living in Carlow. And if I'm being completely honest I think that 12 Acres Pale Ale with its lemon puff biscuit flavour edges out O'Hara's Irish Pale Ale for my palate. (Now that could be the Laois man in me talking!)

Anyway, back to the festival and the Sorachi IPA...

The weather wasn't kind to the festival but I think it went OK. I hope so, as I want it to be bigger and better next year. The Sorachi Ace was a bold move by O'Hara's and I admire them for that too. It would certainly be a go-to summer beer for me and I look forward to trying it in bottle format.

I'm looking forward to the next Adventure too!





Sunday, 21 June 2015

Beer: Dark States - Some US Stouts


The US has has always been a bit of a draw for me beer-wise. It probably comes from listening to too many Brewing Network podcasts and reading online articles about US breweries and beers that basically says, 'Jaysus, we're great!' - but in the local words and dialect of whatever US region the writer is based obviously!

A good few of the better US breweries have made it to these shores but there are a fair few on my radar that haven't too. Names like Hoppin' Frog, Crooked Stave, The Bruery, 3 Floyds and many others don't appear anywhere near me anyway. Even when so-called better beers do get here they can be a little long on the water and might be missing that zing of freshness that makes them great. I remember having a Bear Republic Racer 5 a year or more back that was fresh off whatever mode of transport got it here, and it was probably the best IPA I have ever had - mostly due to its freshness I have always presumed. (Recently the Irish brewers have cranked things up a notch so sourcing decent IPAs is less of an issue here, although they do differ from what I've tasted from the states. 8 Degrees' Full Irish and Brehon's Stony Grey are just two that spring to mind.)

Anyhow, to get back on track, a few weeks ago I had the chance to get my hands on a some beers that are hard to source here. I picked up the odd Belgian and a few others too, including a selection of beers - mostly dark ones that I thought might travel better- from the US. I was still a little concerned about the freshness, as they hadn't come direct from there to here, but nevertheless I jumped at the chance to acquire them and soon they were secreted in my stash under the stairs, the coolest place in my house. (Memo to self - buy a freakin' beer fridge!)



Deschutes Obsidian Stout from Oregon tasted of sweet, smooth, unburnt coffee with a lightly-perfumed backwash and a great, full body, with a dose treacle and honey. Added to that was a hint of Bourbon biscuits I often get with good stout. Drinking it I was strangely obsessed at how it would taste on nitro - although I'm not sure if it is ever served this way. It was an excellent beer, even though the best before was 3/2/2015. I'd imagine that served fresh it would be immaculate.



Dark Horse Too Cream Stout from Michigan had a dark head and tasted of sweet liquorice with a semi-dense and slightly-syrupy texture, but was perhaps a little light given the flavours. I got a sourness there too, and a pleasant chilli-like burn that must have come from somewhere, but I can't figure out how! This one came across as a rich, slightly boozy drinking chocolate that wasn't quite tip-top. Freshness an issue again I think, although there was no date on the bottle.



Still Water Folklore Stout from Maryland was my last to taste. The carbonation was a lot lower in this, again maybe down to age, and the head disappeared quite quickly. Bitter cola cubes assaulted me here, with even a light, fizzy, tingly sweetness. There was a tiny bit of smoke there too. Once it warmed up I got more of a rich cocoa flavour and a hint of scotch whiskey, with some fruity esters that reminded me of sultanas maybe. Like the previous one it seemed just a little light in body for me, although it was more than pleasant. The bottling date was the end of March last year, a factor no doubt.

So what's the moral of the story? I'm not sure if there is one. as I enjoyed all the beers and that's what it's all about surely. Admittedly I'd like to try all of them fresh and maybe on draught (or draft) but that won't happen soon.


As a beer ticker I'll always be drawn by the elusive and hard to source but it's fair to say that many of the current batch of Irish stouts would stack up well with these highly rated US beers and perhaps like IPAs, freshness holds the key too. Look at Porterhouse Wrasslers, O'Hara's Leann Follain and Galway Bay Buried at Sea for example, and a few others too.

But I'll keep trying to get a few different beers every now and again. After all, it's only fair that something gets to travel on this blog!








Wednesday, 3 June 2015

Travel: Brussels - Art Nouveau Walking Tour and the Victor Horta Museum


Art Nouveau
noun, art nou·veau  \ˌär(t)-nü-ˈvō\
: a style of art, design, and architecture that uses curving lines and shapes that look like leaves and flowers
Mirriam-Webster

I awoke early to a gorgeous morning. The sun was out and I had a spring in my step as I was heading to yet another museum, and a self-guided Art Nouveau architectural tour of sorts. My travelling companions were having a lie-in, having overindulged the night before so this was a solo tour, following a walking guide-map I had picked up in the tourist office

Art Nouveau developed in the 1880s and 1890s, possibly from the Arts and Crafts movement in England and swept through many cities in Europe and North America in the 1900s and 1910s, going by different names in different countries - Jugendstil and Liberty style to name but two. Brussels was one of the main cities where it took hold, thanks in no small part to the work of Victor Horta, Paul Hamesse and Paul Hanker, who along with others left their stamp on the city.
An overly simplified description would be to say that the style was influenced heavily by organic, florid, flowing forms and by the use of new materials - by-products of the industrial revolution such as cast iron for example - but hand crafted instead of mass produced. It is typified in art by the works of Mucha and Klimt, and others such as Mackintosh, Gaudi, Liberty, Lalique and Tiffany are also synonymous with the movement.

I set off through the quiet Sunday morning streets of the city. Very few people were around apart from the street cleaners, and the odd person walking their dog while leaving a trail of turds. (The dogs I mean...) I passed the obscenely enormous Palace of Justice, crossed the busy ring road and soon I was in the St Giles area of the city, an open-air Art Nouveau building museum. I spent a pleasant morning admiring the beautiful façades of the houses that lined the streets. Appreciating the flowing metal and stonework, and studying the intricate woodwork of the doors and windows. At any minute I expected a police car to roll up and to be taken away, accused of being a peeping tom as I stood staring in awe at the design and workmanship of the buildings. It was, for me, a fantastic way to spend a Sunday morning in a strange city with no other souls around.

The city was starting to wake up from its Sunday morning slumber as I made my way over to Rue Américaine and the Victor Horta Museum, my ultimate destination. Cafés were opening up and people were coming and going with the morning papers or buying pastries for breakfast. The streets were a mixture of old and new buildings and I still caught glimpses of the city's Art Nouveau past squashed between ugly 1960s or 1970s structures. The city was relatively clean, only marred by the dog turds and the 'tagging' graffiti that seemed to be in every town and city in Europe now. I am all for decent urban 'wall art', especially on ugly concrete slabs but this is meaningless vandalism to my mind.
I arrived too early at the museum and after pausing briefly to admire the two buildings that it is composed of, I headed further along the street for a stroll in the sunshine, eventually reaching a nice circular park, Leemansplace. It was a pretty spot to sit and have a rest only marred by the now ubiquitous, aforementioned piles of dog faeces and some discarded needles under the benches, both now a part of the sights and experiences of parks all over the world. Worried about the chances of catching something or of being accused of now looking like a heroin-junkie-peeping-tom, I decided to wander back up the street to a small café that was just opening up as I went past it towards the park. I resisted the urge to have a beer and instead had a coffee and a glass of water, as I waited impatiently for the museum to open up.

Eventually it did and I joined the small queue waiting to enter. It is a smallish building which wasn't designed for large groups of people so only a certain number can be inside at any one time, so as some leave, more are let in. While waiting outside I admired the façade's design again and the attention to detail, which Horta applied to all his work.

Victor Horta was born in Ghent, Belgium in 1861 but studied and learned his trade in Brussels. He made a name for himself when he designed a couple of hotels in the city and his career snowballed from there. He was soon being commissioned to design buildings throughout Brussels. He built his house and studio on the site where I now stood between 1898 and 1901. After an enforced stint lecturing in America because of the WWI he returned to Brussels and sold the house and the attached studio. The house was bought by the local community in 1969 and opened as a museum two years later. The attached studio was purchased in 1971 and restoration has been ongoing since. Horta died in 1947 and many of his buildings were demolished in acts of what can only be classed as insanity in the 1950s and 1960s. (How this could be let happen is a mystery to me, I can only presume that monkeys were among the town planners back then. Actually, that is probably a little unfair to monkeys.)

I was finally let inside the door and had to wait in a small hallway, for some unknown reason, for five or so minutes before being let into the house proper. Perhaps it was an airlock where I was slowly and secretly infused with Art Nouveau appreciation gas. Whatever the reason, when I reached the main hall I was blown away. A beautiful staircase winds its way up through the house, culminating in a curvilinear glass ceiling that floods light back down through the stairwell. The rooms leading from the stairwell on all levels were exquisitely designed with incredible attention to detail. Even the door handles were decorative works of art. It was staggering how the functional aspects of home living were cunningly concealed. (Like a urinal which swings out from a hidden compartment beside the bed, a feature that would be of utmost use in my own home.) I walked up and down the stairs with my mouth open, seeing things I had missed on my first trip into a room or looking at a stained-glass window, beautifully moulded door or mosaic section of flooring from a different angle. Sometimes I just stood and tried to absorb and see the tiny details that are the hallmark of a perfectionist. Time appeared to slow down... and almost stop, but looking at my watch I realised I had been in here for ages.

The house was starting to fill up now so after one last look around and a visit to the gift shop I headed out. With a smile on my face, and whistling to myself I headed back towards the city centre. On the way I visited another Art Nouveau building, the beautiful, if slightly less ornate, Hôtel Hannon on Rue de la Jonction, designed by the architect Jules Brunfaut and built in 1903. The sad thing was, I was the only one there. Nobody else came to admire the mosaics, mural and ironwork, or the extremely elegant façade. I wandered around the building with only some photographs, a gallery, and the curator for company.

I met up with the others in a little park in the Sablon district called La Place du Petit Sablon. It was a very pretty little place full of statues, roses and lavender with a nice fountain as a centrepiece. Directly across from it stands the 15th century church of Notre Dame du Sablon, yet another example of Gothic architecture of which Brussels has some superb examples. The park was quite busy with locals enjoying a cooling break from what was now becoming a heavy, clammy day, and tourists like us admiring the statues, fountain and the view across to the church.

We decided to go for a beer, as it was now early afternoon, calling in to the church firstly. Unfortunately, some restoration and renovation was taking place and most of the church was sealed off so we traipsed back out and around the back to an antique market. We had just surmised that anything worth buying was outside our budgetary constraints when we noticed the sun had disappeared and it was getting overcast. Suddenly the heavens opened and we ran to the safety of the nearest bar, shaking ourselves dry as we entered.
   

We immediately sensed that this was not our kind of place. Something about the well-dressed clientele, the silver cutlery and the look of disdain on the waiter's face as we stood shaking like dogs at his desk were a giveaway I think. Not to mention the fact that we now realised it was a restaurant and not a bar.

    'Ah, a table for four?' inquired my companion, not wanting to lose face by retreating back to the rain.

The waiter looked us up and down from his lectern, his hands moving to a shelf underneath. I sensed his finger hovering over the button that called security or opened a trap door under our feet, but he must have had a change of heart as next thing he ushered us towards a seat across from the window. If I had been him I would have hidden us down the back of the establishment but perhaps he felt we might be a source of amusement for the other customers.

    'Here are the lunch menus, gentlemen,' he said, handing them to us.

    'Actually, we just wanted to get a few beers.'

This news was received with a withering look of disdain but in fairness he took our order and came back with our selection promptly but by then we had suddenly been distracted by a plaque that we had spotted on the wall.

It read:

(Mr Bill Clinton
President of the United States of America
sat at this table on 9th January 1994
He drank coffee and chatted an hour
with all present.)

Imagine if it hadn't started to rain, and we hadn't run in here, and the waiter had turned us away? We would never have sat at the same table as Slick Willy - for good or for bad.

As we drank our beers, which I never took note of, we started to wonder why the waiter had put us there? I am not sure what it says about us - or Bill - but at least we can say our butts shared a seat with an American president. We thought and talked about this as we drank our beer, then paid our enormous bill - obviously there was a surcharge for that table - and vowed to come back for a meal sometime we could afford it.

Which wouldn't be any time soon...

Liam

(Originally written 2008)

(All written content and the research involved in publishing it here is my own unless otherwise stated and cannot be reproduced elsewhere without permission, full credit to its source and a link back to this post. All original photographs are my own and can not be used elsewhere without my consent.)

Wednesday, 27 May 2015

Beer: The Monarchy Münchhausen - A Tall Tale of Taste?

Münch·hau·sen (ˈmuenḵ-ˌhau̇-zən) 
 Karl Friedrich Hieronymous, Freiherr von (1720–1797), German soldier. As a retired cavalry officer Münchhausen acquired a reputation as a raconteur of preposterous stories about his adventures as a soldier, hunter, and sportsman. From 1781 to 1783 a collection of such tales was published, with authorship generally attributed to the baron. Only years later in 1824 was it revealed that the author of the English edition was Rudolph Erich Raspe (1737–1794).
Merriam-Webster

When I restarted blogging I decided that I wouldn't do individual beer posts, but here I am back at it again! Perhaps its an addiction... Anyway here we go...


In my March post on the Alltech Craft Brews & Food Fair I mentioned a visit to the Freigeist Bierkultur stand and how impressed I was by them, so when I spotted this beer in my not-so-very-local offie I grabbed one, as its style of label and even the bottle itself seemed similar to those I had sampled at the festival. The postage stamp-style label, which shows Baron Von Münchhausen astride a hop cone, combined with the blurb that said that this was a 4.8% abv strongly hopped and soured altbier meant I couldn't really resist buying one.

It turns out that this beer is brewed by the same brewer and in the same brewery - Vormann Brauerei in North Rhine-Westphalia, Germany - as those from Freigeist Bierkultur, albeit with a different partner. The Monarchy's Sebastian Sauer and Fritz Wülfing create historical beers with a twist, just like the example I had picked up.

A beer like this deserves company so I decided that it would suit an impromptu supper one night last week - a pretzel with real butter, strong Irish cheddar, combined with a few slices of smoked German ham. So I set the stage and got stuck in!

The first impression was of sour cola with a lingering malty, pleasant aftertaste. Carbonation was quite low, just leaving a tingle on the tongue like popping candy and left an almost wine-like mouthfeel. A bite of pretzel with its supporting cast created a salty-malty-smoky-lactic back drop to my next gulp and brought out a tea-like taste to the beer too. Now I was also getting a little funky farmyard - like a chicken coop - plus a little sweetness.

As the beer warmed up and I ate a little more, the subtle complexities of the beer shined through and I realised what a good decision I had made to have food with it, and maybe perhaps this type of food. I wonder if I had drank it on its own would I have liked it as much?

Not that that mattered, as I really did enjoy it although I didn't pick up on the heavy hopping and would have liked the sourness to shine through a little more. I am really looking forward to trying more from the range as well as picking up more of this one.

I'll keep my eyes peeled...




Tuesday, 19 May 2015

Beer: Kinnegar Swingletree II - Hopping Back...

Swingletree (ˈswɪŋɡəlˌtriː) 

Definition - noun
'a crossbar in a horse's harness to which the ends of the traces are attached,
also called: whippletree, (esp US) whiffletree' - Collins Dictionary

Last year I visited Donegal and enjoyed a trip to The Tap Room under Rathmullan House with its great pizzas and wonderful, local Kinnegar beers. At the time I wondered why they didn't brew a saison, a beer style that many associate with farmhouse brewers like Kinnegar.

Soon after I found out that they had brewed one and it would be at The Irish Craft Beer & Cider Festival, which I subsequently attended. Swingletree was there on tap as promised and my sketchy notes for that day read - 'Orval-like;lovely doggy smell and taste;bitter and gorgeous!' (Yes, yes I know Orval's not a saison...and that those notes are a little odd.)

I came across a bottled version recently named Swingletree II, which is obviously a reincarnation of that beer but with a lower abv - 5.8% versus 7%. Its jaunty labels and branding on a taller-than-normal-500ml bottle giving it an air of crooked elegance and making it stand out from others on the shelf of my local offie.

I drank this one on my deck last Saturday and took some notes again:
Sweetish, chewy chalk; gooseberry crumble and tea; warm spice and bitterness; dry and cleansing; deceptively easy to drink.

And as I sat there savouring and enjoying my Swingletree redux I thought back to last summer and The Tap Room, and how well this beer would go with one of those great pizzas.

Someday I'll really hop back there.

Meanwhile I've been studying plans on how to build a pizza oven in your back garden...



Sunday, 10 May 2015

Recipe: Pretzel? Logic...



Food should be simple sometimes...

While contemplating what to have for lunch, I spotted a lone pretzel sitting in its bag beside the toaster. It was a leftover from a beer tasting night and was a tiny bit stale but I couldn't leave it there, as they are too nice to consign to the freezer for making stuffing - although great for that too.

I hate waste, especially in food, and love to combine a few stray, leftover ingredients together to make a meal. So out came some cheese, leftover pork, a little butter and my magic ingredient - caraway seed!


Poor caraway... sometimes mistaken for its cousins cumin and fennel and often just ignored on both the supermarket shelf and in the cupboard. I first came across it in any meaningful way in Uerige Braurieri in Düsseldorf, served with beer marinated Mainzer cheese and a rye roll with a a little butter. And once you've tasted caraway you will never mistake it for anything else. It's great with cheese or pork, as a pickling spice, or in bread.



Anyway, I'll revisit that in a future blog but for now it's back to lunch...

It was easy-peasy to make after that, slice the pretzel carefully to split it in two, scrape on some butter, put on some chopped pork, a few thin slices of cheese and finally sprinkle with the caraway seeds. 10 mins or so under the grill - carefully watched - and lunch is ready.

Served with a nice beer - and a blob of mustard - of course!

Keep it simple. It's logic really.


Wednesday, 6 May 2015

Travel: Dublin - To Market, To Market...

Dublin has recently become a bit of a draw for me.

This wasn't always the case.

There was a time when I only saw it as a noisy, dirty city filled with irritating people, most of whom walked too slow or talked too loud. It was the antitheses of where I was brought up in a quiet backwater, a no-man's land in Laois - often mistaken for parts of Kilkenny, Carlow and Kildare but rejected by all three.

But maybe the wisdom of age - it's certainly not my ever-decreasing tolerance - and the need to travel somewhere, anywhere and everywhere has altered my blinkered view of big cities. This wanderlust has certainly helped me look past the obvious flaws and faults of big cities and see what metropolitan living can offer. More importantly it has shown me that cities would not have their character without also having these issues that I class/classed as faults. Would Rome be as interesting and inviting without its litter and tourists? Would Milan be as stylish and enigmatic without its arrogant waiters and dodgy graffiti? Would Brussels be such an underrated city without its split personality and dog shit? (OK, maybe scratch that one..)

I suppose my point is that as you get older and your priorities change, how you see the world also changes. And so does what you want out of people and places. Nowadays I look at life in a quasi-selfish way where I can pick out what I like about cities that will make my live more interesting or enjoyable, and try to ignore what I hate. Certainly the rise of the 'The Good Beer Movement' and my embracing of it has had an enormous effect on how I see Dublin. Not too long ago there were only a very few bars selling something different in the country and most of those were in Dublin but over the last 5 years there has been an sharp increase in the number of these places, but the biggest concentration is still in the city. This has been driven by the Galway Bay group among others and it was the opening of a new bar of theirs that had me heading up to the city on this day.

Standing in the station in Carlow I stared at a sign telling me where I was, it seemed a little redundant as it's not the largest station in the world. Although it helpfully does point you in the direction of both Dublin and Kilkenny. My usual travelling companion Nige arrived soon after, as did the train, and we were on our way. In the right direction I now knew thanks to the map.

I have a need to sit facing the direction of travel so we ended up close to a gaggle of loud teenagers who made the train seem a lot louder than usual, and tested my aforementioned tolerance, so I was pretty distracted for most of the journey. After an extra stop in Sallins to let off a lady who missed her stop in Kildare (Fair play to Irish Rail!) we arrived into a very cloudy and rain pelted Heuston station where we crowded under the Luas shelter, then crammed ourselves into the tram and soon we were in the city centre. We have by now become creatures of habit on these trips so after our usual not-too-strong coffee and toasted ciabatta with mozzarella in La Corte at the Epicurean Food Hall we split up for a bit of shopping. I made my way, using as much rain cover as possible, to Chapters book shop for a mooch through their second-hand section and a read on their comfy seating while trying to act neither shifty or pompous. I possibly failed on both counts.

Pretty soon it was time for a beer.

The Black Sheep was closed when I got there. Google had assured me it opened at 10.30 am but it was now 11.55 am and the doors were locked. I loitered under the awning and consulted the bar's own site where it informed me it would open at midday - I'd been led astray by Google yet again. Nige arrived as I was re-researching and together we waited, shivering in the cold breeze that was being funnelled down the street. The doors opened soon enough and after waiting a few minutes - for the sake of respectability - we made our way inside. We looked at the taps and then studied the beer list over the bar just in case we had missed something, then checked out the cask beers before I decided on Galway Bay's own Dortmunder Lager and sat down. Nige was being his usual indecisive self but he eventually settled for a Siren 7 Seas BIPA and joined me. As we chatted about the bar itself and our purchases people started to trickle in and within half an hour the place had a healthy buzz. I like The Black Sheep. I like how bright it is due to its street position, I like its food and also the slight quirky nature of the bar, its clever spin-the-dial-for-beer chalkboard, its board games and its general uniqueness. Most of all I like their beer selection.

The Dortmunder tasted of those nice malted milk biscuits but with a hint of cider vinegar that suited it, and as it warmed up bags of caramel toffee came through. It was a good choice for my first of the day. Nige's 7 Seas tasted as bitter soot would - I guess - with a good deal of lime infused dark chocolate thrown in for good measure. It was excellent. We were tempted to have another here but I had a date with a dark stranger that appears only once a year, and afterwards we needed to make it to the far side of Christchurch and on towards Stoneybatter  according to my mental travel itinerary.

We trudged southward in the rain as the city got busier and everyone jostled for the rain-protected lea of the tall buildings along our route. Crossing O'Connell Bridge was a bit of a nightmare as the rain and wind pelted us with drops that zinged any stray exposed areas of skin, but pretty soon we were heading past Trinity College and nearing our next destination.

Porterhouse Central can get a little touristy and busy for me but I do like the place. I like the long bar, general layout, and décor. The staff are always busy and efficient, and they were serving Chocolate Truffle Stout. I needed my yearly fix and this is another reasons why we had decided to head up here today. It tasted a little different to last years I thought, slightly more bitter but still with that creamy truffle taste and cloying quality that not everyone might appreciate. It was also served a little cold I thought but then again I like my stouts served cool not cold. They were showing a match on a humongous screen, which annoyed me a little but others seemed engrossed in it. I thought about pointing at Porterhouse's barley wine collaboration with Joe Eliot and asking for a glass of it, at which point they would hopefully say, 'Louder?' and I would say, 'A GLASS OF THE BARLEY WINE PLEASE!'
I resisted.

We drank up a little quicker than I would have liked and having split up again from Nige I headed west towards the main reason for our trip. The rain was easing a little as I passed the relocated Molly Malone statue and onwards to Dame Street. I always find it difficult to walk in cities, as I tend to be a fast walker and find the stop start motion of having to weave around others affects my mindset and mood. As I did the two-step around tourists and locals it reminded of something I read or heard once about living in the city, something about the need to take big steps and little steps... maybe it was a comment about life in general.

I was beginning to pick up speed rounding Christ Church Cathedral when I was accosted by a group of plastic-poncho wearing American ladies who politely asked me how to get 'to the shopping on Ger-RAF-ton street' I duly obliged by pointing them in the right direction, only to turn around and find a small orderly queue of similarly dressed tourists waiting patiently for directions to St. Patrick's Cathedral, Trinity College and 'The Big Spike Thing on the Main Street'. I got all the groups heading in the right direction (I think!) and they moved off with their plastic coverings flapping in the wind. (I have a vague recollection of this direction giving incident happening to someone in a travel book too, was it Bill Bryson) Continuing on I rounded the cathedral and headed down High Street (I never knew there was a High Street in Dublin.) to where I could see a haloed beer glass on a sign in the distance.



The Beer Market is a new venture from the Galway group who also own The Black Sheep, Brew Dock, Against the Grain and a couple of other of my favourite establishments in the city. So when I heard that they were opening a new bar with 20 ever-rotating taps I felt obliged to visit and check them out. Rumour had it they were also serving pies from The Pieman in Templebar, which for me was a deal clincher. The grey-fronted building could be a little lost on the street if not for the big, gold window graphic shouting out the bar's name. Even still, I got the feeling that you needed to know where you were going to find this spot. Inside the bar is split into a few levels, sparsely but tastily decorated with trendy graphics and a fresh look - I could smell the paint still.

It was quiet at the bar itself with just a couple of seats taken but I plonked my bag and jacket at a long, high table with ice bucket insert for - I presume - the selection of 750ml bottles that were included in the bottle list on one wall. The draught line-up was on two separate chalkboards over the bar. Most of the beers are served as a 330ml size that I find to be the Goldilocks size for a beer ticker. There were only 18 beers on but I didn't feel short changed, as I had only heard of a few and had only tasted a couple before. But I was disappointed to see that the Founders Blushing Monk had already gone - I had spotted it being tweeted the previous day - but consoled myself by looking at the rest of the list. I would have liked to see the country of origin and style listed as well as the name and the abv but I decided on a Thornbridge Charlie Brown while I Googled some of the beers listed to get a handle on them.

Sitting down at the table I felt something was out of place. I'm not sure whether the table was too short, the stools too high or my body is oddly proportioned but I couldn't get comfortable and opted instead for a spot at the bar while I waited for Nige, perused the list and tasted my beer. My Charlie Brown had a pleasant weak cola flavour with a hint of peanut and a dash of salt -the peanut was only evident once you knew it was there. Still I like Brown Ale and rarely get them so I enjoyed it.

Behind the bar I spotted a few beer books and a row of the presently stocked beers. I was happy to see Orval - one of my all time favourite beers - sitting between all the new bottles. The only thing that seemed out of place at the bar was the pie cooker, which sits right in plain view and jars the senses a little in such a cool bar. The place was pretty busy  and the clientèle seemed very mixed from bearded, man-bunned, twenty-something year olds to couples out for a drink or two, and the - er - odd middle-aged, bearded, fogey showing too much interest in the beers and décor while taking notes in a pad and the odd photograph. But it was a good mix, all very well looked after by the bar staff, who dealt with those with a severe interest in the beers to those who wanted something 'a bit like Franciscan Well Red' with equal regard and courtesy. Tasters were given of the recommended beers to see if the suggestions suited their palates and most seemed happy.


I was getting a bit peckish at this stage and with no sign of Nige I decided to try one of the pies on offer. I ordered the sweet potato and feta one, as I felt it wouldn't affect my tastebuds too much and plumped for an Edge Padrino porter to go with it. The pie was excellent, although it was served in a takeaway-style cardboard box with wooden utensils - that strangely always put my teeth on edge - having been reheated in that oven. In my book the crust of a pie has to be as good as the filling and this one was, it had a nice crunch and had an actual taste to it - a rarity in pies. The filling was a nice bitter-sweet balance with a small kick of chilli. My porter was excellent too, dark chocolate and vanilla with a mango and resinous lychee aftertaste that hung around just long enough on the palate. A nice combination.

Nige wandered in soon afterwards and we starting getting through that list above the bar. Thornbridge Bamberg, a bock, was like excellent smoky barley sugar sweets, the smoke lingering on the tongue for ages afterwards. Edge Hoptimista tasted of bitter burnt orange and gorgeous resiny pine. Siren Dippy & The Equinox had that lovely(!) cat pee taste I've gotten from their beers before with added grapefruit for good measure.


We got talking to the bar manager and I happened to mention that I was a little cross that I'd missed the Blushing Monk... he went to a tap a pulled about a half a glass for me that was left in the not-yet-changed keg and then went downstairs, returned quickly and did some magic to produce another half glass for Nige. Now that's what call you call customer service! The Monk itself was a dry, sugary and tart, like their Rübæus on steroids.

I know I've said it before but places like this are not just about the beer they are about the people on both sides of the bar, about the atmosphere, the music, the food and yes also the beer. You need to be made to feel comfortable and at ease, and this bar did that.


For my last drink there I went for the most expensive - Beerd Crowbar, an imperial stout which tasted of turf and burning tyres or perhaps an ultra-smoky ham, with a bit of citrus hop added for good measure. A 'wow' beer that finished our stay here off to perfection. We said our goodbyes to the bar people and headed out, but we'll be back and that's the sign of a good bar - that you vow to return soon.


We crossed the Liffey and heading towards Stoneybatter to our last stop, L. Mulligan Grocer. We hadn't been in there in a while but it hadn't changed much. It was busy but welcoming and the attentive, knowledgeable and magnificently coiffured and bearded bar staff looked after us as soon as we sat at the bar, serving up a Csupor Thermostout, a sweet but low bodied coffee flavoured effort and the  almost-trademark-infringing Hello! My Name Is Sudan from the same brewery. This had a lovely bitter grapefruit/lemon tartness with a little bit of cream cracker aftertaste. Mulligans is quite the foody place and was full of happy looking diners. The buzz and hum of voices, plus glasses and cutlery clinking tempted us to consider staying longer, as it felt like a place we could spend the night. But our train was beckoning so after a swift glass of Blacks KPI on cask to end the day,  we tottered to the station, just stopping to get a takeaway coffee and a free chocky in the Butler's Coffee kiosk on the way to the our chariot home.

We spent the journey back talking about all the places we didn't get to...

And that list was long, and getting longer - we'll be back to Dublin soon, with reinforcements hopefully. I'm getting woefully fond of the place.